" class="blog-post-title">A Conversation with Director Maggie Kang of <K-Pop Demon Hunters>

Director Maggie Kang of the film <K-Pop Demon Hunters> appeared on the tvN program <You Quiz on the Block> and shared various stories related to the work. Those contents have been captured here. ㅡThe K-DeHun Sing-along Bus appeared in ChicagoㅡOnly held special screenings for two days… K-DeHun No. 1 at the North American box officeㅡEnthusiastically received by people all over the worldㅡ<K-Pop Demon Hunters>ㅡNo. 1 in 43 countries on NetflixㅡReached 236 million viewsㅡThe Korean who caused the <K-DeHun> fever worldwideㅡDirector Maggie Kang <Golden> ㅡThe saying “The most Korean thing is the most global thing” has become a reality. Maggie Kang – I didn’t even know a single movie could be this popular. Yoo Jae-suk – The harmony between K-pop and Korean culture in the process of confronting evil spirits is a “godsend.” ㅡAn animation set in South Korea using K-pop music, featuring a girl group “Huntress” who protects the world from evil spirits and protects fans from an evil spirit boy group “Saja Boys.”ㅡRanked No. 1 in 43 countries after being released in JuneㅡSurpassed 236 million cumulative viewsㅡBecame the most-watched Netflix movie of all timeㅡStill breaking records even nowㅡOST <GOLDEN> No. 1 on Billboard HOT 100, No. 1 on the UK Official Singles Chart, 8 OST songs lining up on music charts Yoo Jae-suk – Did you expect this kind of fever? Maggie Kang – While making the songs, I wanted K-pop fans to accept these songs as K-pop and accept Huntress or Saja Boys as idol groups. But, I never thought our song would go all the way up to Billboard. I think that’s so amazing. It’s also fascinating to see Huntress and Saja Boys fighting on the Billboard charts. ㅡSituations in the movie that became reality (Soda Pop, Golden)ㅡLee Jae, who directly composed and sang <GOLDEN> – became a hot topic after it was revealed she was an SM trainee for 10 years! Maggie Kang – I saw her recording <Golden> in New York. She did the high pitch range 20 to 30 times in a row. It’s a very difficult song to sing, right? I asked Lee Jae to make it difficult. Because when you hear songs in a high register, you get “UP.” I wanted to make a song that gives a heart-fluttering feeling. Our movie gives positive energy. Yoo Jae-suk – The lyrics also have “UP” coming out repeatedly. LyricsㅡWe’re goin’ up, up, up, it’s our moment.ㅡYou know together we’re glowingㅡGonna be, gonna be golden ㅡThe <Golden> cover challenge spread on SNS with a bright and powerful message and an addictive chorusㅡPopularity regardless of age or genderㅡVarious parodies appearedㅡNo. 1 at the US Box Office in just two days of screening … 25 billion won in revenueㅡ”Should we seal the Spirit Gate with a sing-along?” 7-hour wait for the US Sing-along BusㅡThe world is currently in <K-DeHun> fever Yoo Jae-suk – Not only the songs, but scenes in the movie are becoming hot topics. ㅡThe scene of interest – The scene of eating a whole roll of Gimbap Yoo Jae-suk – People are even imitating eating a whole roll of Gimbap. ㅡAs interest in Gimbap intensifies, videos of people making Gimbap themselves are gaining popularity.ㅡThe 13-million-view Soda Pop Challenge Director Maggie Kang’s Childhood ㅡImmigrated at the young age of 5 – CanadaㅡYou can forget Korean if you don’t use it, but her Korean is still fluent Maggie Kang – When I first went to Canada, I only used English. I didn’t use Korean at home. They said I spoke English perfectly in 6 months. After my English became perfect, my mother gave me a Korean book, but I couldn’t read it. My mom said, “This won’t do,” and from then on, she sat me down and started studying. Three to four times a week, for several hours, I absolutely studied Korean. I did dictation and read repeatedly. At the time, I really hated doing it, but now I’m so grateful for it. ㅡStudying itself is not easy at age 5. Korean study has now become a great asset. Yoo Jae-suk – Even though you immigrated to Canada, did you visit Korea often? Maggie Kang – I spent all my summer vacations in Korea. Because my parents always thought they would return to Korea, we spent a lot of time in Korea. ㅡKorean sensibilities naturally ingrained in the body Maggie Kang – I think I watched a lot of TV whenever I came to Korea during vacations, haha. Every summer when I went to Korea, there was a hit song trending at that time. I have really good memories of going to karaoke with my cousins and singing popular songs. Production Team – Which singers did you like? Maggie Kang – For singers, it was H.O.T. I was a fan of H.O.T., and also Seo Taiji and Boys. ㅡSeo Taiji and Boys – <As This Night Goes Deep>(1992)ㅡDeux – <Turn Around and Look at Me>(1993)ㅡKorean songs inserted throughout the movie, influenced by the singers she liked as a child Maggie Kang – My mother always said, “You are Korean. You must not forget the Korean language.” So I always remembered those words. Although I hold a Canadian passport now, in my heart, I have always felt 100% Korean. Yoo Jae-suk – How did you start in animation? Maggie Kang – My dad really likes movies. So I’ve been interested in storytelling since I was little. When I wrote a story, I drew character designs and scenes there, and my dad saw that and bought me an animation book. So from that moment, I thought, “Animation can be a job!” and started learning 2D animation, then took a story test at DreamWorks. I passed and joined DreamWorks. Jo Se-ho – Director, do you remember the animations you liked when you were young? Maggie Kang – I liked Dooly too. I also remember <Candy Candy>. I was influenced a lot by Korean cartoons and also by the Western side. Things like Disney. I liked various things. ㅡA

Read more
《K-Pop灭魔猎人》导演 Maggie Kang (姜敏智) 访谈录

tvN <You Quiz on the Block> tvN节目《You Quiz on the Block》邀请了动画电影《K-Pop灭魔猎人》(K-Pop: Demon Hunters)的导演 Maggie Kang,分享了关于作品的精彩幕后故事。以下为访谈核心内容摘要: 全球狂热:刷新纪录的《K-Pop灭魔猎人》 对话导演:最韩国的,就是最世界的 刘在石: 恶鬼战斗与 K-Pop、韩国文化的结合简直是“神来之笔”。 Maggie Kang: 我从没想过一部电影能受到如此大的欢迎。在创作歌曲时,我只希望 K-Pop 粉丝能把这些歌当作真正的 K-Pop,把剧中的“Huntrx”和“Saja Boys”当作真实的偶像组合。看到他们在 Billboard 榜单上“竞争”,真的太不可思议了。 关于爆火神曲《GOLDEN》: 细节控的胜利:生活化的韩国底色 刘在石: 除了音乐,电影里的细节也成了话题。比如一口吞下一整条紫菜包饭,现在网上到处都是挑战视频。 Maggie Kang: 虽然我 5 岁就移民加拿大,但我父母坚持让我学韩语,每周要进行好几次听写和阅读训练。夏天我常回韩国和表兄弟去练歌房,H.O.T. 和徐太志和孩子们是我的启蒙。 作品中的“韩国之魂”: 从梦工厂到首部长篇:7年的情书 Maggie Kang 曾是梦工厂(DreamWorks)的资深故事板艺术家,参与过《史瑞克3》、《功夫熊猫2》和《小黄人大眼萌2》。 电影带动的文化效应 导演最后传递的信息:“电影想传达的是战胜内心的恐惧。每个人都有想隐藏的阴影,我们要培养能够承认并克服这些不安的内心力量。”

Read more
《K-Pop 恶魔猎人》(K-Pop: Demon Hunters) 导演 Maggie Kang (姜敏知) 访谈录

tvN 《YOU Quiz on the Block》 tvN 节目《YOU Quiz on the Block》邀请了动画电影《K-Pop 恶魔猎人》的导演 Maggie Kang,分享了关于作品的幕后故事。以下是访谈内容的整理: 《Golden》 Maggie Kang 导演的童年 制作《K-Pop 恶魔猎人》的原因 刘在石: 是如何构思并制作《K-Pop 恶魔猎人》的? Maggie Kang: 从事动画工作已有 20 年。从刚开始工作时,作为韩国人,我就想看到包含韩国文化的动画片!因为韩国也制作并热爱动画,我想“如果能有代表我们国家的电影就好了!”一直在等这样的项目出现,但一直没有。后来我做到了主管,到了可以当导演的位置,就想“那要不我来做吧?”。于是想到了一个创意:外国人似乎不太了解韩国传说中的阴间使者和鬼怪。自然而然,民俗中的形象与驱魔的“恶魔猎人”概念联系了起来。 为了表现韩国,导演用双脚走遍各地进行记录。 Maggie Kang: 这次考察是我第一次去北村。我才发现路那么窄,坡那么陡。砖块和花纹的多样性让我觉得很特别,所以想原封不动地展现在电影里。 经过大量研究与努力,完成了仿佛将韩国搬进电影的细节: 韩国传统文化、K-Pop 与粉丝文化的融合 刘在石: 作品中 K-Pop、韩国传统文化和粉丝文化融合得非常好,让人沉浸其中。 主要是韩国人参与制作的《K-Pop 恶魔猎人》 刘在石: 电影里有一些能感受到导演细腻之处的场面,看了真的让人起鸡皮疙瘩。 《K-Pop 恶魔猎人》制作周期 刘在石: 您构思并制作这部作品应该花了很长时间吧? Maggie Kang: 花了 7 年。这期间我的孩子都长高了许多(呵呵)。 刘在石: 在从事动画工作的 20 年里,有 7 年投入到了《K-Pop 恶魔猎人》。7 年后公开时,心情如何? Maggie Kang: 我们一直守候到公开的那一刻。当时就忍不住流泪了。在 Netflix 上打开电影看到画面的那一刻……就是想流泪。太开心了。 刘在石: “《K-Pop 恶魔猎人》是我献给我所热爱并引以为傲的韩国及 K-Pop 文化的情书,也是一部表达我韩国根源的电影。” Maggie Kang: 坦白说,制作时很苦恼。“韩国人会认可这部电影吗?”、“我有资格制作这样的电影吗?” 刘在石: 为什么这么想? Maggie Kang: 因为我没有长期生活在韩国,而是在海外生活了很久,难免会有这种想法。所以很苦恼,但看到大家这么喜爱,真的很感谢。我想通过 K-Pop 电影向世界展示我们的文化。 Maggie Kang: 坦白说,虽然我是韩国人,但我没在韩国上过学,也没住太久。所以会想“我能做出代表韩国的电影吗?”、“我有那个资格吗?”。

Read more
**《K-Pop Demon Hunters》: A Conversation with Director Maggie Kang (Kang Min-ji)

tvN You Quiz on the Block** Director Maggie Kang of K-Pop Demon Hunters appeared on tvN’s You Quiz on the Block and shared stories behind the film. Below is a summary of that conversation. – A K-Pop Demon Hunters sing-along bus appears in Chicago– Only two days of special screenings… K-Pop Demon Hunters ranks No.1 at the North American box office– The film that captivated audiences around the world– K-Pop Demon Hunters– No.1 on Netflix in 43 countries– Achieved 236 million views– The Korean creator who sparked the global K-Pop Demon Hunters phenomenon– Director Maggie Kang (Kang Min-ji) 〈Golden〉 – “The most Korean becomes the most global” has become a reality.Maggie Kang: I never imagined a single movie could become this popular.Yoo Jae-suk: The combination of K-pop and Korean culture in the battle against evil spirits was a masterstroke. – An animation set in Korea that uses K-pop music to tell the story of a girl group, Huntrix, who protect fans from an evil spirit boy group, Saja Boys, while saving the world from demons.– Released in June, ranked No.1 in 43 countries– Cumulative views surpassed 236 million– Became the most-watched film in Netflix history– Still breaking records– OST GOLDEN ranked No.1 on the Billboard Hot 100 and the UK Official Singles Chart, with eight OST tracks charting simultaneously Yoo Jae-suk: Did you expect this kind of global phenomenon?Maggie Kang: When we made the songs, I hoped K-pop fans would accept them as real K-pop and see Huntrix and Saja Boys as actual idol groups. But I never imagined the songs would reach Billboard. It feels surreal—seeing Huntrix and Saja Boys “compete” on the Billboard charts. – Scenes from the movie becoming reality (Soda Pop, Golden) – The singer and composer of Golden, EJAE, drew attention after it was revealed she had been an SM trainee for 10 years.Maggie Kang: I watched the recording of Golden in New York. She sang extremely high notes 20–30 times in a row. It’s a very difficult song. I asked her to make it challenging because high notes naturally lift people up emotionally. I wanted a song that makes you feel uplifted and overwhelmed. Our movie gives positive energy. Yoo Jae-suk: The lyrics keep saying “UP.” Lyrics:– We’re goin’ up, up, up, it’s our moment– You know together we’re glowing– Gonna be, gonna be golden – With its bright, empowering message and addictive chorus, Golden spread through SNS cover challenges– Loved by all ages– Countless parodies followed– Only two days of screenings, yet No.1 at the U.S. box office… earning 25 billion KRW– “Shall we seal the soul gate with a chant?”—7-hour waits for sing-along buses in the U.S.– The world is in the middle of the K-Pop Demon Hunters craze Iconic Scenes &Cultural Impact Yoo Jae-suk: Not just the music, but scenes from the movie are going viral.– Iconic scene: eating an entire gimbap in one bite– Many people are recreating the scene– Interest in gimbap surged, with homemade gimbap videos trending– Soda Pop Challenge reached 13 million views Director Maggie Kang’s Childhood – Emigrated to Canada at age five– Though Korean could have been forgotten, she remains fluent Maggie Kang: When I first moved to Canada, I only used English and stopped speaking Korean at home. After six months, my English became perfect. Then my mom gave me Korean books, and I couldn’t read them. She said, “This won’t do,” and started teaching me Korean—dictation, reading, repetition—three to four times a week. I hated it then, but now I’m so grateful. – Studying Korean at age five was difficult but became a priceless asset– Despite immigrating, she visited Korea oftenMaggie Kang: I spent every summer vacation in Korea. My parents always believed we would return someday. – Korean sensibilities naturally embeddedMaggie Kang: Every summer in Korea, there were hit songs. I went to karaoke with my cousins and sang popular songs. Those memories are precious. Yoo Jae-suk: Which singers did you like?Maggie Kang: H.O.T. and Seo Taiji and Boys. – Influences from childhood favorite artists appear throughout the filmMaggie Kang: My mother always said, “You are Korean. Never forget the Korean language.” Even though I hold a Canadian passport, I’ve always felt 100% Korean at heart. Journey into Animation – Inspired by her father’s love for films– Began 2D animation after discovering animation could be a career– Passed DreamWorks’ story test and joined the studio – Favorite animations: Dooly the Little Dinosaur, Candy Candy, Korean comics, Disney, and Western animation – Worked as a storyboard artist on Shrek 3, Kung Fu Panda 2, Minions 2 Role of a storyboard artist:– Visualizing scripts through camera angles, character placement, movement, and mood– The foundation upon which animation is built– Progression: storyboard artist → storyboard supervisor → director – Her first directing project: K-Pop Demon Hunters Why She Made K-Pop Demon Hunters Maggie Kang: I’ve worked in animation for 20 years. I always wanted to see an animation that represented Korean culture. When no such project appeared, I decided to make it myself. Korean folklore—grim reapers, goblins—felt unfamiliar overseas, so I connected those ideas to demon hunters. – Goblin-faced demons inspired by folklore– Grim reapers reimagined as stylish, mysterious figures – To hide their identities while fighting demons, idols felt like the perfect cover– Girl group demon hunters Huntrix– Demon boy group Saja Boys – Korean traditional culture woven throughout:① Shamanistic rituals (gut)② Irworobongdo (Sun, Moon, and Five Peaks painting)③ Norigae ornaments④ Shaman tools (ritual knives) – The tiger character Duffy, inspired by folk paintings and the director’s cats – Real Korean locations depicted:Namsan Seoul Tower, Bukchon Hanok Village, Naksan Fortress Trail, public bathhouses, herbal clinics, subways – Extensive on-site research across Korea, from Jeju to Seoul Voices &Korean Cast – Demon King Gwima voiced by Lee Byung-hun– Maggie Kang also voiced minor roles– Jinwoo (Saja Boys leader): Ahn Hyo-seop– Celine: Kim Yoon-jin– Young Rumi: Director’s daughter – Created by a largely Korean production team– Meticulous Korean cultural details praised by viewers Impact &Legacy

Read more
A Conversation with Director Maggie Kang of

tvN <You Quiz on the Block> Director Maggie Kang of K-Pop: Demon Hunters appeared on the tvN program You Quiz on the Block to share stories about her work. Here is a summary of the conversation. <Golden> Maggie Kang’s Childhood The Reason for Making <K-Pop: Demon Hunters> Yoo Jae-suk: “How did you come to make K-Pop: Demon Hunters?” Maggie Kang: “I’ve been working in animation for 20 years. Ever since I started, I wanted to see an animation that captures Korean culture. As a Korean! Korea makes and loves animation so much, so I thought, ‘I wish there was a movie that represents our country!’ and ‘If such a project comes out, I want to work on it.’ I waited until it came out, but it didn’t. So, after becoming a supervisor and reaching a position where I could be a director, I thought, ‘Then should I try making it?’ Then an idea came to me. It seemed like people abroad didn’t know much about Korea’s Grim Reaper (Jeoseung Saja) or Goblin (Dokkaebi) images. Those images from folklore naturally connected to the idea of ‘Demon Hunters’ who fight evil spirits.” The director who recorded everywhere by walking on her own two feet to express Korea. Maggie Kang: “When I came to Korea for the field trip this time, it was my first time in Bukchon. I realized for the first time that the streets are so narrow and the hills are steep. And I felt the bricks and patterns were diverse and special, so I wanted to show that in the movie exactly as it is.” Details that look as if Korea was moved into the screen, completed after much research and effort: The Harmony of Korea’s Traditional Culture, K-pop, and FandomYoo Jae-suk: “K-pop, traditional Korean culture, and fandom culture are well-harmonized in the work, so you get completely immersed while watching.” <K-De-Heon>, produced mainly by Koreans.Yoo Jae-suk: “There are scenes where your attention to detail is felt; there were points that really gave me goosebumps while watching.” Production Period of <K-Pop: Demon Hunters> Yoo Jae-suk: “It must have taken quite a while to plan and produce, Director?” Maggie Kang: “It took 7 years. In the meantime, my kid grew up so much, haha.” Yoo Jae-suk: “Investing 7 years into making K-De-Heon out of 20 years in animation. How did you feel when it was finally released after 7 years?” Maggie Kang: “We waited until the release time. I just started crying. Watching the movie on Netflix… I just cried. Because I was so happy.” Yoo Jae-suk: “<K-Pop: Demon Hunters> is a tribute and a love letter to Korea and K-pop culture, which I love and am proud of, and it’s a movie that expresses my Korean roots.” Maggie Kang: “Honestly, I worried a lot while making the movie. ‘Will Koreans accept this movie?’, ‘Am I qualified to make a movie like this?’” Yoo Jae-suk: “Why?” Maggie Kang: “Because I didn’t live in Korea for long and lived abroad a lot, there’s a bit of that. For people who don’t live in Korea! So I worried, but I’m so grateful that you love it so much. While making a K-pop movie, I wanted to show our culture to the world.” Maggie Kang: “Honestly, I am Korean, but I didn’t go to school in Korea and didn’t live there for long. Because of that, I thought, ‘Can I make a movie that represents Korea?’, ‘Am I qualified for that?’”

Read more
K-Pop Demon Hunters : A Conversation with Director Maggie Kang (Kang Min-ji)

tvN <You Quiz on the Block> Director Maggie Kang, the creative force behind K-Pop Demon Hunters, appeared on tvN’s popular talk show You Quiz on the Block, where she shared behind-the-scenes stories and personal reflections about the film. Here is a comprehensive summary of that conversation. A Global Phenomenon Begins “Golden” — When the Most Korean Became the Most Global “The idea that ‘the most Korean is the most global’ has become reality.” Maggie Kang admitted she never imagined one film could gain this level of popularity. Host Yoo Jae-suk praised the film’s brilliant fusion of K-pop and Korean culture in the battle against evil spirits, calling it “a masterstroke.” K-Pop Demon Hunters tells the story of a K-pop girl group, Huntrix, who secretly protect the world from demons, battling an evil demon boy group, Saja Boys, while performing as idols. Maggie Kang explained that while creating the music, her hope was simply that K-pop fans would accept Huntrix and Saja Boys as real idol groups. She never imagined the songs would climb the Billboard charts. “Seeing Huntrix and Saja Boys competing on Billboard felt surreal.” Creating “Golden” The song Golden was composed and sung by EJAE, a former SM Entertainment trainee of 10 years. Maggie Kang recalled watching EJAE record the song in New York, singing extremely high notes repeatedly—20 to 30 times in a row. “I asked her to make it difficult on purpose. High notes lift people up emotionally. I wanted a song that makes you feel empowered—because our movie gives positive energy.” Lyrics like: “We’re goin’ up, up, up, it’s our moment”“Gonna be, gonna be golden” helped fuel viral cover challenges, parodies, and massive global engagement across social media. Cultural Impact Beyond the Screen Global interest in Korean culture surged: Maggie Kang’s Roots “At the time, I hated it. Now I’m incredibly grateful.” She spent every summer vacation in Korea, watching TV, singing the latest hits at karaoke with cousins, and absorbing Korean pop culture. Her favorite artists growing up: These influences appear throughout the film’s soundtrack. “Even though I have a Canadian passport, I’ve always felt 100% Korean in my heart.” From Storyboard Artist to Director Inspired by her father’s love for films, Maggie Kang developed an early passion for storytelling and animation. She worked as a storyboard artist at DreamWorks, contributing to: She explained that storyboard artists visually translate scripts into camera angles, character movement, and emotional tone—forming the blueprint of an animated film. K-Pop Demon Hunters is her directorial debut. Why She Made K-Pop Demon Hunters After 20 years in animation, Maggie Kang longed to see an animated film that truly represented Korea. “I kept waiting for someone else to make it. When it didn’t happen, I thought—why not me?” She drew inspiration from Korean folklore: These elements evolved into demon hunters and stylish, mysterious antagonists. The concept combined: Traditional elements woven into the film include: Meticulous Korean Details Director Yoo Jae-suk praised the film’s astonishing realism: Maggie Kang credited the many Korean artists on the production team. “If the rice and soup were switched, someone would immediately say, ‘That’s wrong.’ This film was made together by Koreans.” Voices and Cast “Having Lee Byung-hun alone made the film feel like a true Korean movie.” Seven Years, One Love Letter to Korea “This movie is my love letter to Korea and K-pop.” She admitted to deep insecurities: “I wondered if I had the right to make a film representing Korea.” The overwhelming global response erased those doubts. “I poured my entire heart into this. If people didn’t like it, I thought I’d quit animation. That’s how much it meant to me.” The Message “The message is about overcoming fear within yourself.” Through characters like Rumi and Jin-woo, the film explores hidden fears and insecurities. “We may never completely erase our fears, but we can learn to acknowledge them—and grow stronger.”

Read more
《케이팝 데몬 헌터스》 Maggie Kang 강민지 감독과의 대화

tvN <유 퀴즈 온더 블럭> 프로그램에 <케이팝 데몬 헌터스> 감독인 매기강이 출연해 작품과 관련한 이야이기들을 나눴다. 여기에 그 내용들을 담아 봤다. ㅡ시카고에 등장한 케데헌 싱어롱버스 ㅡ이틀간 특별 상영만 했는데… 케데헌 북미 박스오피스 1위 ㅡ전 세계 사람들을 열광시킨 ㅡ<케이팝 데몬 헌터스> ㅡ넷플릭스 43개국 1위 ㅡ2억 3,600만 뷰 달성 ㅡ전 세계에 <케데헌> 열풍을 불게 한 한국인 ㅡMaggie Kang 강민지 감독 <Golden> ㅡ‘가장 한국적인 것’이 ‘가장 세계적’이란 말이 현실이 됐습니다. 매기강 – 영화 하나가 이렇게 인기 있을 수 있다는 것도 몰랐어요. 유재석 – 악귀와 대결 과정에서 케이팝과 한국 문화의 조화가 ‘신의 한 수다’ ㅡ악귀로부터 세상을 지키는 걸그룹 ‘헌트릭스’가 악귀 보이그룹 ‘사자보이즈’로부터 팬들을 지켜내는 내용으로 케이팝 음악을 활용한 대한민국 배경의 애니메이션 ㅡ6월 공개된 후 43개국 1위 ㅡ누적 시청 횟수 2억 3,600만 뷰 돌파 ㅡ넷플릭스 역대 최다 시청 영화 등극 ㅡ지금도 여전히 기록 경신 중 ㅡOST <GOLDEN> 빌보드 HOT100 1위, 영국 오피셜 싱글차트 1위, 8곡의 OST가 음악 차트에서 줄 세우기도 유재석 – 이런 열풍 예상하셨습니까? 매기강 – 노래를 만들면서 케이팝 팬들이 이 노래를 케이팝으로 받이들이고 헌트릭스나 사자보이즈를 아이돌 그룹으로 받아들였으면 했어요. 근데, 우리 노래가 빌보드까지 올라간다는 그 생각은 전혀 안했거든요. 그게 너무 신기한 것 같아요. 빌보드 차트에서 헌트릭스랑 사자보이즈가 싸우는 것도 신기하고 ㅡ현실이 된 영화 속 상황(Soda Pop, Golden) ㅡ<GOLDEN>을 직접 작곡하고 부른 이재 씨 – 10년간 SM 연습생이었다는 게 알려지면서 화제가 된! 매기강 – 뉴욕에서 <골든> 녹음하는 거를 봤거든요. 높은 음역대를 2-30번 연달아 하시는 거예요. 부르기 엄청 어려운 곡이잖아요. 제가 이재 씨한테 어렵게 만들어달라고 했어요. 왜냐하면 높은 음역대의 노래를 들으면 UP 되잖아요. 벅차오르는 기분을 주는 노래를 만들고 싶었어요. 우리 영화가 긍정적인 힘을 주잖아요. 유재석 – 가사도 “UP”이 계속 나오잖아요. 가사 ㅡWe’re goin’ up, up, up, it’s our moment. ㅡYou know together we’re glowing ㅡGonna be, gonna be golden ㅡ밝고 힘 있는 메시지에 중독성 있는 후렴구로 SNS에 퍼진 <골든> 커버 챌린지 ㅡ남녀노소를 가리지 않는 인기에 ㅡ각종 패러디까지 등장 ㅡ단 이틀 상영에 美 박스오피스 1위 … 250억 수익 ㅡ“떼창으로 혼문 봉인할까” 美 싱어롱 버스 7시간 대기 ㅡ세계는 지금 <케데헌> 열풍 유재석 – 노래분만 아니라 영화 속 장면들이 화제가 되고 있는데 ㅡ화제의 장면 – 김밥 한 줄을 통으로 먹는 장면 유재셕 – 김밥 한 줄을 통째로 먹는 걸 따라 하시기도 ㅡ김밥에 대한 관심이 뜨거워지면서 김밥을 직접 만들어 먹는 영상도 인기몰이 중 ㅡ1,300만 뷰의 소다 팝 챌린지 강민지 감독 어린시절 ㅡ5살, 어린 나이에 떠난 이민 – 캐나다 ㅡ한국어를 안 쓰면 잊어버릴 수 있는데 여전히 유창한 한국어 매기강 – 처음 캐나다에 갔을 땐 영어만 사용했어요. 집에서는 한국어를 안 썼어요. 6개월 만에 영어를 완벽하게 하더래요. 영어가 완벽해진 후, 엄아가 한국어 책을 주셨는데, 제가 못 읽더래요. 엄마가 ‘이러면 안되지’ 그러면서 그때부터 엄마가 저를 앉혀놓고 공부를 시작했어요. 일주일에 3~4 번씩 몇 시간씩 무조건 한국어 공부를 했어요. 받아쓰기도 하고 반복해서 읽기도 하고. 당시에는 진짜 하기 싫었는데 지금은 그게 너무 감사하죠. ㅡ공부 자체가 쉽지 않은 5살. 지금은 큰 자산이 된 한국어 공부 유재석 – 캐나에 이민 갔어도 한국을 자주 방문했하고? 매기강 – 여름 방학은 다 한국에서 보냈어요. 부모님은 다시 한국에 돌아올 거라고 항상 생각했기 때문에 많은 시간을 한국에서 보냈어요. ㅡ자연스럽게 몸에 밴 한국적인 감성 매기강 – 방학 때마다 한국에 와서 TV를 많이 봤던 거 같아요 하하. 여름마다 한국에 가면 그때 유행하는 히트송이 있었어요. 사촌들과 노래방에 가서 인기곡들을 부르고, 그런 기억들이 정말 좋았어요. 제직진 – 가수는 누구를 좋아했어요? 매기강 – 가수는 H.O.T.였죠. H.O.T. 팬이었고, 그리고 서태지와 아이들. ㅡ서태지와 아이들 – <이밤이 깊어가지만>(1992년) ㅡ듀스 – <나를 돌아봐>)1993년) ㅡ어린시절 좋아했던 가수의 영향을 받아 영화 중간중간 삽입된 한국 노래 매기강 – 저희 어머니가 항상 하셨던 말씀이 “너는 한국인이다. 한국어를 잊어서는 안된다.” 그래서 그 말을 항상 기억하고 있었거든요. 지금은 비록 캐나다 여권을 갖고 있지만 마음속으로는 100% 한국인이라고 느껴왔습니다. 유재석 – 애니메이션을 어떻게 시작하게 되셨는지? 매기강 – 아빠가 영화를 되게 좋아하셔요. 그래서 이제 어렸을 때부터 스토리텔링에 관심이 많았어요. 스토리를 쓰면 거기다가 캐릭터 디자인과 장면을 그렸는데, 아빠가 그걸 보시고 애니메이션 책을 사주셨어요. 그래서 그 순간부터 ‘애내메이션도 직업이 될 수 있구나!’ 생각하고 2D 애내메이션을 배우기 시작했고, 드림웍스에서 스토리 시험을 봤어요. 드림웍스에 합격하고 입사를 했어요. 조세호 – 감독님 어릴 때 좋아했던 애니메이션 기억나세요? 매기강 – 둘리도 좋아했고요. <들장미 소녀 캔디>도 기억나고요. 한국 만화에서 영향을 많이 받았고 웨스턴 쪽에서도 영향을 받았어요. 디지니 같은 것도. 여러 가지를 좋아했습니다. ㅡ어렸을 때부터 애니메이션을 좋아했던 감독님 유재석 – 드림웍스에서 스토리보드 아티스트로 작업을 많이 하셨다고요? 쉬랙3, 쿵푸팬더2, 미니언즈2. ㅡ스토리보드 아티스트란? ㅡ영화를 만들 때 ㅡ첫 번째 단계는 글쓰기예요.(시나리오 작업). 그런데 시나리오가 완벽하지 않음 ㅡ스토리보드 아티스트의 역할은 시나리오를 시각화하여 표현. ㅡ어떤 신을 내가 맡으면 카메라 앵글, 인물의 위치, 동선, 분위기 등을 그림으로 표현 ㅡ설계된 그림을 토대로 만들어지는 애니메이션 ㅡ어떤 식으로 장면을 구성할 건지 스토리보드로 비주얼화하는 일 ㅡ스토리보드 아티스트 다음 단계가 스토리보드 슈퍼바이저 ㅡ그 다음이 스토리 구상 및 전체 총괄하는 감독 ㅡ감독님의 첫 연출작 <케이팝 데몬 헌터스> <케이팝 데몬 헌터스>를 만들게 된 이유 유재석 – 어떻게 <케이팝 데몬 헌터스>를 만들게 됬는지? 매기강 – 애니메이션 일을 한지 20년 차. 일을 처음 시작했을 때부터 한국 문화를 담는 애니메이션을 보고 싶었어요. 한국인으로서! 한국에서도 애니메이션을 많이 만들고 좋아해서 그래서 ‘우리나라를 대표하는 영화가 있었으면 좋겠다!’ 생각하고 ‘그런 프로젝트가 나오면 나도 일하고 싶다’ 그러고 나올 때까지 기다렸는데 안 나오는 거에요. 그래서 슈퍼바이저까지 하고 감독이 될 수 있는 포지션까지 가서 ‘그러면 내가 만들어 볼까?’ 생각하게 됨. 그러다 떠오른 아이디어. 우리나라의 저승사자, 도깨비 이미지를 외국에서는 잘 모르는 것 같았어요. 자연스럽게 떠오른 민담 속 이미지가 악귀 퇴치 ‘데몬 헌터’의 아이디어로 연결. ㅡ.민담에 나오는 도깨비의 이미지를 활용해 도깨비 얼굴을 한 악귀 탄생. ㅡ.검은 갓과 도포 차림으로 망자를 데려가는 무서운 이미지의 저승사자는 미스터리하지만 세련된 이미지의 매력 넘치는 저승사자로 재탄생 유재석 – 우리가 알던 저승사자가 저렇게 그려질 수도 있구나! 매기강 – ‘데몬 헌터’ 아이디어가 먼저 정해졌고 악귀 퇴치 같은 일은 신분을 숨기고 하는 경우가 많잖아요. 그래서 이 여자 캐릭터들이 ‘악귀 퇴치를 하면서 신분을 숨길 수 있는 직업이 뭐가 있을까?’를 생각했어요. 그때도 여러 팀에서 케이팝을 이용한 영화를 만들고 싶어 했는데 아직 못 만들었던 거예요. 그래서 그것도 ‘그럼 내가 해볼까?’ ‘아이돌’+‘데몬 헌터’가 괜찮은 거예요. 컨셉이. ㅡ.한국 신화와 오컬트적 요소에 케이팝을 접목 시켜 탄생한 악귀 퇴치 걸그룹 헌트릭스 유재석 – 저승사자가 어떻게 헌트릭스를 괴롭힐 것인가? 근데 아이돌이 돼! 이 상상이..! 내가 무릎을 탁 쳤다니가!!! 매기강 – 그 아이디어는 처음부터 있었던 아이디어예요. 사자 보이즈도 저승사자이자 사자로 표현. ㅡ.중독성 있는 노래로 사람들을 흘리는 악귀 보이그룹 사자 보이즈 유재석 – 전통문화가 작품 전반에 깔려있습니다. ㅡ전통문화⓵ 무당의 ‘굿’ 활용 – 노래와 춤 의례적 도구들로 악령을 쫓는 무당의 ‘굿’. ㅡ.악귀를 쫓는 의식이 케이팝 공연으로 재탄생 ㅡ전통문화② 일월오봉도 ㅡ전통문화③ 노리개 착용 ㅡ전통문화⓸

Read more
Netflix-ийг байлдан дагуулж буй “K-Pop Demon Hunters”: Найруулагч Мэгги Каны “Ю Квиз” нэвтрүүлэгт өгсөн сонирхолтой ярилцлага

1. Дэлхий дахиныг шуугиулж буй “Кедехон” (K-Pop Demon Hunters) Найруулагч Мэгги Каны бүтээл “K-Pop Demon Hunters” нь Netflix дээр нээлтээ хийсэн даруйдаа дэлхийн 43 орны жагсаалтыг тэргүүлж, нийт 236 сая хандалт авсан Netflix-ийн түүхэн дэх хамгийн их үзэлттэй киноны нэг болоод байна. Хойд Америкийн кино театруудад ердөө хоёрхон өдөр үзүүлсэн ч бокс оффисын 1-р байранд орж, 25 тэрбум воны ашиг олсон нь К-поп соёлын хүчийг дахин нэг баталлаа. 2. К-поп болон Солонгос соёлын төгс зохицол Энэхүү хүүхэлдэйн кино нь дэлхийг чөтгөрүүдээс хамгаалдаг “Huntriss” хэмээх охидын хамтлаг болон хүмүүсийг төөрөгдүүлдэг “Saja Boys” хэмээх чөтгөрүүдийн хөвгүүдийн хамтлагийн тухай өгүүлдэг. Киноны OST болох “GOLDEN” дуу нь Billboard HOT 100 чартын 1-р байранд орж, К-поп шүтэн бишрэгчдийн дунд “Golden Challenge” хэмээх бүжгийн давалгааг үүсгээд байна. 3. Найруулагч Мэгги Каны Солонгос үндэс угсаа Мэгги Кан 5 настайдаа Канад руу цагаачилсан боловч ээжийнхээ ачаар солонгос хэлээ марталгүй сурч иржээ. Тэрээр: “Хэдийгээр би Канад паспорттай ч сэтгэл зүрх минь 100% солонгос хүн гэж мэдэрдэг” хэмээн эх орондоо болон соёлдоо хайртайгаа илэрхийлсэн юм. 4. Кинонд шингэсэн Солонгос деталь (Нарийн ширийн зүйлс) Үзэгчдийн анхаарлыг хамгийн их татсан зүйл бол кинон дахь солонгосчуудын өдөр тутмын амьдралын дүр төрх байв. 5. Алдартнуудын дуу хоолой Киноны гол эсрэг дүр болох чөтгөрүүдийн хаан Гюма-гийн дүрд дэлхийд алдартай жүжигчин Ли Бён Хон дуу оруулсан нь киноны чанарыг улам өндөрт гаргасан байна. Мөн жүжигчин Ан Хё Соп, Ким Юн Жин нар дуу оруулж оролцсон байна. 6. Киноны өгөх мессеж Найруулагч Мэгги Кан энэхүү бүтээлээрээ дамжуулан хүн бүрт байдаг дотоод айдас, өөртөө итгэлгүй байдлаа хүлээн зөвшөөрч, түүнийг даван туулах хүчтэй байхыг уриалсан юм. Тэрээр 7 жилийн турш зүрх сэтгэлээ зориулж хийсэн энэхүү “Солонгос соёлд зориулсан хайрын захидал” нь дэлхий дахинд ийм их хайр хүндэтгэл хүлээсэнд туйлын баяртай байгаагаа хуваалцлаа.

Read more
Fenomena K-Pop Demon Hunters: Maggie Kang Dedah Rahsia Disebalik Rekod Dunia Netflix &Billboard!

Adakah anda sudah menonton “K-Pop Demon Hunters”? Filem animasi yang menggabungkan elemen mistik Korea dengan dunia K-Pop yang bertenaga ini bukan sahaja sekadar hiburan, malah ia telah mencatatkan sejarah baru di peringkat global! Baru-baru ini, pengarah Maggie Kang (Kang Min-ji) muncul dalam program popular tvN, You Quiz on the Block, untuk berkongsi perjalanan 7 tahun beliau dalam menyiapkan “surat cinta” buat budaya Korea ini. 1. Rekod Dunia yang Luar Biasa: No. 1 di 43 Buah Negara! Sejak ditayangkan di Netflix pada bulan Jun, K-Pop Demon Hunters (KeDeHeon) telah menjadi fenomena luar biasa: 2. Runut Bunyi (OST) yang Menggegarkan Carta Billboard Lagu “GOLDEN” yang dinyanyikan oleh Lee Jae (bekas pelatih SM Entertainment selama 10 tahun) bukan sahaja tular di media sosial, malah: 3. Keperincian Budaya Korea yang Memukau (K-Detail) Pengarah Maggie Kang, yang pernah bekerja sebagai artis papan cerita di DreamWorks untuk filem Shrek 3 dan Kung Fu Panda 2, memastikan setiap inci filem ini terasa “Sangat Korea”. Antara butiran yang dipuji peminat termasuklah: “Saya mahu membuktikan bahawa perkara yang paling bersifat tempatan (Korea) adalah perkara yang paling global.” — Maggie Kang 4. Dari Kanak-Kanak Imigran ke Pengarah Terkenal Maggie berhijrah ke Kanada pada usia 5 tahun. Walaupun membesar di luar negara, ibunya sangat tegas memastikan beliau tidak melupakan Bahasa Korea. Beliau menghabiskan setiap musim panas di Korea, menyanyi lagu H.O.T dan Seo Taiji and Boys di pusat karaoke, yang akhirnya menjadi inspirasi besar buat filem ini. 5. Mesej Mendalam: Melawan Ketakutan Dalam Diri Melalui watak Lomi dan Jin-woo, Maggie ingin menyampaikan mesej bahawa setiap orang mempunyai “syaitan” atau ketakutan dalam diri mereka. Kesimpulan: Adakah Akan Ada Musim Ke-2? Apabila ditanya oleh Yoo Jae-suk tentang musim kedua, Maggie tersenyum melihat sambutan luar biasa ini. Dengan impak besar terhadap pelancongan Korea—di mana kunjungan ke Muzium Negara dan rumah mandi tradisional meningkat mendadak—peminat pastinya tidak sabar menantikan sambungan perjuangan kumpulan Huntriss! Bagaimana dengan anda? Adakah lagu “GOLDEN” masih bermain di fikiran anda? Tuliskan pendapat anda di ruangan komen!

Read more
K-Pop Demon Hunters: Wie Maggie Kang mit koreanischer Kultur die Welt eroberte

Die Netflix-Animation „K-Pop Demon Hunters“ sorgt weltweit für Furore.Die Regisseurin Maggie Kang (강민지) war kürzlich zu Gast in der beliebten tvN-Sendung „You Quiz on the Block“, wo sie offen über den Entstehungsprozess, ihre koreanischen Wurzeln und den globalen Erfolg des Films sprach. Der Film ist längst mehr als nur ein Animationshit – er ist ein kulturelles Phänomen. Globaler Erfolg: Zahlen, die Geschichte schreiben Seit der Veröffentlichung im Juni hat K-Pop Demon Hunters neue Rekorde aufgestellt: Auch im Kino sorgte der Film für Aufsehen: K-Pop trifft koreanische Mythologie Im Zentrum der Geschichte steht die Girlgroup HUNTR/X, die heimlich als Dämonenjägerinnen agiert.Ihre Gegner: die dämonische Boygroup Saja Boys, inspiriert vom koreanischen Jeoseung Saja (저승사자). Der Film verbindet auf einzigartige Weise: Laut Moderator Yoo Jae-suk sei diese Kombination „ein genialer Schachzug“. OST „GOLDEN“ erobert die Charts Der Soundtrack entwickelte ein Eigenleben: Die Sängerin Lee Jae, ehemalige SM-Trainee, beeindruckte mit extrem hohen Tonlagen.Maggie Kang erklärte, sie habe bewusst ein anspruchsvolles Lied gewollt, um ein Gefühl von Aufbruch und Stärke zu vermitteln. Koreanische Details, die die Welt begeistern Besonders gelobt werden die liebevollen Details: Orte: Diese Authentizität führte zu messbaren Effekten: Maggie Kangs persönliche Geschichte Maggie Kang wanderte im Alter von fünf Jahren nach Kanada aus.Dank intensiven Koreanischunterrichts ihrer Mutter bewahrte sie ihre Sprach- und Kulturkompetenz. Sie arbeitete über 20 Jahre in der Animationsbranche, unter anderem bei: „K-Pop Demon Hunters“ ist ihr Regiedebüt – und gleichzeitig ein siebenjähriges Herzensprojekt. Eine Liebeserklärung an Korea Maggie Kang beschreibt den Film als: „Eine Hommage und ein Liebesbrief an Korea und die K-Pop-Kultur – und an meine eigenen koreanischen Wurzeln.“ Sie habe lange gezweifelt, ob sie „das Recht“ habe, einen Film über Korea zu machen.Die weltweite Resonanz habe ihr diese Angst genommen. Die zentrale Botschaft des Films Der Kern von K-Pop Demon Hunters ist nicht nur Action oder Musik, sondern eine emotionale Botschaft: Durch die Figuren Rumi und Jin-woo vermittelt der Film Mut, Selbstakzeptanz und innere Stärke. Fazit K-Pop Demon Hunters zeigt eindrucksvoll: „Das Koreanischste kann das Globalste sein.“ Mit kultureller Tiefe, moderner Inszenierung und emotionaler Ehrlichkeit hat Maggie Kang einen Meilenstein geschaffen – für Animation, K-Pop und koreanische Kultur weltweit.

Read more