Deep Dive Korea: Song Ji-hyo’s Haenyeo Adventure – A Breathtaking Dive into Jeju’s Living Heritage

JTBC’s special documentary Deep Dive Korea: Song Ji-hyo’s Haenyeo Adventure marks the first co-production between JTBC and BBC Studios, bringing global attention to Korea’s treasured haenyeo (female divers) culture. This three-part documentary series follows beloved actress Song Ji-hyo as she embarks on an emotional and physically demanding journey to become a haenyeo — women who dive into the ocean without breathing equipment to gather seafood, a tradition recognized by UNESCO as an Intangible Cultural Heritage of Humanity. A Journey Beneath the Surface Filmed across scenic locations in Jeju Island — including Hado-ri, Beophwan-dong, and Yongsu-ri — from May 2023 to January 2024, the documentary intimately captures Song Ji-hyo undergoing intense training while immersing herself in the lives of real haenyeo. Viewers follow her first dive of the fall season alongside the seasoned divers of Hado-ri, uncovering not only the harsh realities of the ocean but also the strength, resilience, and community spirit of the women who call it home. Song Ji-hyo: A Role Meant by Fate Actress Song Ji-hyo expressed that participating in this project felt like fate. With a background rooted in the sea — her mother a former swimmer and her aunt a haenyeo — the story struck a personal chord. “It wasn’t just a job; I felt I had to do it,” she shared. Taking on one of the most physically and mentally demanding roles of her career, she described this experience as one of the most dedicated moments of her life. BBC’s Vision Meets Jeju’s Legacy The concept originated from BBC Studios, who wanted to present the world of haenyeo through a familiar and engaging figure. BBC proposed casting Song Ji-hyo, citing her genuine spirit and determination. Ryan Shiotani, SVP of Content for BBC Studios Asia, stated, “We are thrilled to bring the breathtaking scenery of Jeju and the inspiring lives of haenyeo to global audiences on JTBC and BBC Earth. Song Ji-hyo showed unwavering commitment throughout this immersive journey.” Capturing Korea’s Unique Cultural Landscape The production was made possible through the Jeju Location Incentive Support Program, spearheaded by Jeju Province and the Jeju Content Agency, offering both financial and logistical backing. The documentary also highlights the stunning natural beauty of Jeju Island, one of the New 7 Wonders of Nature, adding depth and visual wonder to the cultural narrative. At the official press conference held at Stanford Hotel in Sangam, Seoul, Song Ji-hyo commented on the emotional depth of haenyeo stories, comparing the documentary to the Netflix drama “A Killer Paradox” (폭싹 속았수다), but emphasizing that Deep Dive Korea offers an even more detailed, authentic portrayal of haenyeo life. Director Heo Jin of JTBC’s Studio SAY described the documentary as more than a broadcast: “It’s a deeply emotional experience that delicately portrays the strength and way of life of Jeju’s haenyeo. It’s a rare opportunity to connect with and share Korea’s unique cultural heritage with the world.”

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Deep Dive Korea: Song Ji-hyo’s Haenyeo Adventure

“Deep Dive Korea: Song Ji-hyo’s Haenyeo Adventure” is a three-part documentary special, marking the first co-production between JTBC and BBC Studios. The series follows actress Song Ji-hyo as she takes on the formidable challenge of becoming a haenyeo (female diver). Viewers will witness her rigorous training and journey to master the unique free-diving techniques of these remarkable women. The documentary aims to spotlight the Haenyeo culture, a UNESCO Intangible Cultural Heritage of Humanity since 2016. It beautifully captures the life stories of the elder haenyeo, affectionately called “samchun” in the Jeju dialect, and chronicles Song Ji-hyo’s first autumn dive with the haenyeo community of Hadori. The Collaboration: JTBC and BBC Studios This project originated from a BBC proposal, driven by a desire to create a program that would allow viewers to connect with the haenyeo through a familiar face. BBC Studios specifically suggested casting Song Ji-hyo, believing her to be dedicated and capable of handling the demanding role. Ryan Shiotani, SVP of Content for BBC Studios Asia, expressed his excitement about showcasing the “beautiful landscapes of Jeju and the lives of the haenyeo” to both JTBC and BBC Earth audiences, praising Song Ji-hyo’s deep commitment to the challenge. BBC Studios, the commercial arm of the BBC, is a global leader in premium video content and intellectual property distribution. Renowned for its world-class documentaries on nature and science, the company produces over 2,800 hours of content annually with global partners. Song Ji-hyo’s Personal Connection For Song Ji-hyo, the offer felt like destiny. With her mother being a former swimmer and her aunt a haenyeo, the ocean and its stories held a special significance. She felt compelled to take on the project, viewing it as a unique opportunity to learn from others and enjoy a new challenge. She described the demanding training as one of the hardest moments of her life. Production Details Filming took place from May 2023 to January 2024 across several locations in Jeju, including Hadori, Beophwan-dong, Yongsu-ri, and the Jeju Indoor Film Studio. The production was supported by the Jeju Location Incentive Program, a joint initiative by Jeju Province and the Jeju Content Agency. During a press conference, Song Ji-hyo noted that while her Netflix series You Have Done Well also touches on the haenyeo’s hardships, “Deep Dive Korea” offers a more detailed and immersive look. Heo Jin, the director, stated that the documentary goes beyond a simple broadcast, offering viewers a shared experience of a unique and resilient culture.

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딥 다이브 코리아: 송지효, 해녀의 삶에 도전하다 – JTBC x BBC 다큐멘터리

📺 JTBC & BBC의 첫 공동 프로젝트 ‘딥 다이브 코리아’ JTBC와 BBC 스튜디오가 협력한 첫 번째 다큐멘터리 시리즈, **〈딥 다이브 코리아: 송지효의 해녀 모험〉**은 제주 해녀 문화를 전 세계에 알리기 위한 3부작 다큐멘터리입니다. 배우 송지효가 직접 해녀에 도전하며 겪는 훈련 과정과 진솔한 여정을 담았습니다. 🎥 제작 배경과 의미 🌊 송지효의 해녀 도전: 진심과 헌신의 기록 송지효는 이번 다큐 출연 제안을 “운명처럼 느꼈다”고 표현했습니다. 특히 해녀가 되기 위한 고강도 훈련을 성실히 수행하며 **“인생에서 가장 열심히 한 순간”**이라고 말했습니다. 📍 촬영지 & 제작 지원 📢 연출진과 제작진의 이야기 🌍 유네스코가 주목한 제주 해녀 문화 🏝️ 제주도의 자연과 문화, 세계로 📅 방송 정보 및 시청 방법 📝 결론: 한국의 바다, 그 깊은 이야기 ‘딥 다이브 코리아: 송지효의 해녀 모험’은 단순한 연예인 도전기가 아닙니다.한 여성의 진심 어린 여정을 통해 제주의 바다, 해녀의 역사, 한국 문화의 깊이를 세계에 알리는 소중한 기록입니다.

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UNESCO Intangible Cultural Heritage: Haenyeo Culture

Recently, the Netflix drama When Life Gives You Tangerines gained significant popularity both domestically and internationally. From the beginning, the drama drew attention with the appearance of haenyeo—female divers from Jeju Island. One cannot talk about life in Jeju without mentioning haenyeo. The drama portrays the hardships and sorrows of these women. In addition, the JTBC special documentary Deep Dive Korea: Song Ji-hyo’s Haenyeo Adventure was recently broadcast. It is the first co-produced content between JTBC and BBC Studios. Deep Dive Korea delicately captures the resilient spirit and way of life of Jeju haenyeo, aiming to introduce their unique culture. Viewers were deeply moved by actress Song Ji-hyo as she gained a better understanding of the haenyeo’s tough lives, relying solely on a tewak while diving into the open sea to earn a living. The Origin of the Term “Haenyeo” Haenyeo (海女) refers to women who dive into shallow seas to collect seafood. In the southern coast of Korea, they are called murekkun, while in Jeju they have traditionally been called jamnyeo or jamsu (潛女·潛嫂). The term “haenyeo” became common during the Japanese colonial era and has been widely used since the 1980s, although it’s still not commonly used in Jeju itself. In the 1960s, in Yeongdo, Busan, they were also referred to as tongjaengi, a term likely derived from the use of wooden barrels (tong) instead of tewak. This method of using barrels can also be seen among Japan’s ama (海女, 海士), and is believed to be influenced by Japanese fishing villages established in Yeongdo during the colonial period. Female Divers Rare in the World Although diving to harvest seafood is a practice seen around the world, only in Korea and Japan do people dive without specialized equipment purely for survival. Similar practices exist in parts of Southeast Asia and Russia, but only sporadically. Jeju Island, in particular, is globally recognized for having the highest concentration of female divers. While haenyeo can be found across the Korean peninsula and its many islands, the vast majority are concentrated in Jeju. In the past, Jeju haenyeo did not limit their work to their home villages. They often traveled to other regions or even overseas for months at a time in a lifestyle known as chulga (출가). After the opening of ports in 1876, the influx of Japanese fishermen led to the devastation of Jeju’s fishing grounds, threatening the haenyeo’s livelihood. As a result, they migrated northward, reaching as far as Cheongjin via North Gyeongsang and Gangwon Provinces. They also spread to the southern and western coasts, as well as islands like Ulleungdo and Heuksando. Overseas, they went to various parts of Japan, Vladivostok, Dalian in the Liaodong Peninsula, and Qingdao in Shandong Province. They typically left in the spring and returned in the fall. These migrations were usually seasonal labor activities, and the tradition of diving in these regions was passed on by the Jeju haenyeo. Historical Records of Haenyeo Haenyeo emerged naturally as a profession and are mentioned in various historical texts. The Samguk Sagi (History of the Three Kingdoms) mentions haenyeo in the Goguryeo section. In 1105, during the reign of King Sukjong of Goryeo, there is a record banning haenyeo from working naked. During the Joseon Dynasty under King Injo, the governor of Jeju banned men and women from working together in the sea. This shows that haenam (male divers) existed alongside haenyeo at that time. Male divers were referred to as pojakin or pojakgan. Since the Goryeo Dynasty, Jeju was required to offer abalone and seaweed as tribute to the royal court. While haenyeo usually collected the seaweed, male divers were responsible for harvesting abalone. As the abalone tribute quotas increased, many attempted to escape to the mainland. To prevent this, a “ban on leaving the island” (chullyukgeumjiryeong) was issued and remained in place for 200 years starting in 1629. During this period, Jeju women were not even allowed to marry off the island. Boat construction was also prohibited on Jeju to ensure the tributes continued. The ban was lifted around 1850, after which Jeju haenyeo began seasonal migrations to places like Busan and Ulsan to earn a living. Tools of the Haenyeo Haenyeo collect abalone, sea cucumbers, octopuses, sea squirts, seaweed, tot, and agar, and occasionally catch fish using spears. Essential tools include the tewak (a buoyant float held to the chest for support), and the mangsiri (a mesh bag attached beneath the tewak for collecting catch). When diving, the tewak and mangsiri float on the water. For diving, they carry tools like the bitchang (a long iron rod for prying abalone), jeonggehom-i (a sickle for cutting seaweed), galgori (an iron rake for shellfish), and sosal (a spear for catching fish). Haenyeo wear a wetsuit called mulot and goggles known as nun. Originally, these wetsuits were made of cotton, later replaced with rubber. The goggles evolved from small binocular types called joksenun to larger ones called wangnun in the 1950s. The Culture of Haenyeo Becoming a haenyeo is not a matter of special birth, but of training and repetition. In the past, girls in coastal villages of Jeju learned diving in shallow areas called aegibadang (baby sea). They observed experienced haenyeo, listened to their stories, and learned through repeated practice. Typically, if a mother was a haenyeo, so was her daughter; if a mother-in-law was a haenyeo, so was the daughter-in-law. Girls in Jeju began learning to swim and practice underwater movements at around 7–8 years old. By 12–13, they practiced diving into deeper waters. At 15–16, they began actual diving work, and by 17–18, they were considered full-fledged haenyeo. Haenyeo are most active around age 40, and some continue diving into their 60s and even 70s. Based on skill, Jeju haenyeo are divided into three classes: sanggunn (upper), junggun (middle), and hagun (lower). Sanggunn haenyeo are highly skilled and knowledgeable about sea life and terrain, and often lead the community by mentoring others. From them, younger haenyeo learn not only diving skills but also

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Discovering the Haenyeo: Korea’s Legendary Women Divers of Jeju Island

Introduction: The Rise of Haenyeo in Global Media The recent global success of the Netflix K-drama When Life Gives You Tangerines (Korean title: 폭싹 속았수다) has spotlighted Korea’s unique cultural heritage. From the very first episodes, the show features Jeju Haenyeo, traditional female divers of Jeju Island. These women, known for their resilience and deep connection to the sea, have long been central to the island’s culture. Adding to the spotlight, the JTBC–BBC Studios co-produced documentary Deep Dive Korea: Song Ji-hyo’s Haenyeo Adventure aired recently, offering viewers an in-depth look at the lives and traditions of these remarkable women. Song Ji-hyo’s journey to understand the hardships and strength of Haenyeo women deeply resonated with audiences both in Korea and abroad. What Does “Haenyeo” Mean? The term Haenyeo (해녀) literally translates to “sea women” and refers to female free divers who harvest seafood such as abalone, sea urchins, and seaweed without oxygen tanks. While the term became widespread during the Japanese colonial period (early 20th century), regional terms still exist: Interestingly, similar free-diving traditions can be seen in Japan among the Ama (海女) divers, but Korea—especially Jeju—has the highest concentration of professional female divers in the world. The Global Uniqueness of Korea’s Women Divers While diving for marine resources is practiced worldwide, free-diving for subsistence without any breathing equipment is a cultural phenomenon mostly unique to Korea and Japan. Although similar practices exist in Southeast Asia and parts of Russia, Jeju Island is especially notable for its dense population of Haenyeo. Historically, Jeju Haenyeo did not limit themselves to local waters. In search of better fishing grounds, they traveled to Korea’s mainland and even abroad—reaching as far as: These seasonal migrations, known as “Chulga” (출가), were common from the late 19th century onward. Haenyeo in Historical Records Haenyeo are among Korea’s most ancient professions. Records of female divers appear in: Historical documents also reference Hae-nam (male divers), who were often tasked with gathering abalone, especially as tributes to the royal court. As tribute quotas rose, restrictions like the “No-Departure Law” (출륙금지령) were enforced for over 200 years to prevent laborers from fleeing Jeju. Tools and Techniques of the Haenyeo Despite the harsh environment, Haenyeo dive year-round using minimal equipment. Their traditional gear includes: The Haenyeo Community and Cultural Tradition Becoming a Haenyeo is not about status—it is about endurance and apprenticeship. Jeju girls start training in shallow waters called “Aegibadang” (baby sea) around age 7 or 8. They gradually progress through stages: Haenyeo are ranked by skill: The Haenyeo not only pass down diving skills, but also communal values, environmental wisdom, and spiritual beliefs. UNESCO Intangible Cultural Heritage: Haenyeo Culture Haenyeo culture reflects Korea’s traditional marine life, sustainable harvesting practices, and female-centered community life. The Haenyeo’s fishing method—called “muljil” (물질)—represents ecological knowledge, mutual aid, and unique rituals like: In recognition of these cultural values, Jeju Haenyeo Culture was added to the UNESCO Intangible Cultural Heritage of Humanity list in 2016, as Korea’s 19th entry. Preserving and Promoting Haenyeo Heritage Despite their global recognition, the Haenyeo population is aging, and their numbers are declining due to climate change, declining marine resources, and challenging work conditions. That’s why international exposure—through media like: —is crucial in preserving this living cultural heritage. Conclusion: A Legacy to Be Shared with the World The Jeju Haenyeo are not just divers—they are storytellers, community leaders, and symbols of harmony between humans and nature. As global awareness of their culture grows, so does the hope that future generations—both in Korea and beyond—will continue to learn from their wisdom. The culture of Jeju Haenyeo is more than heritage; it is a way of life rooted in resilience, sustainability, and the strength of women.

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Haenyeo, Woman diver

Netflix’s recent drama, When Life Gives You Tangerines, became a huge hit both in Korea and abroad. Right from the start, the show captivated audiences with its focus on haenyeo, or female divers, from Jeju Island. It beautifully depicted the joys and sorrows of their lives, highlighting a significant part of the island’s culture. Similarly, the JTBC documentary Deep Dive Korea: Song Ji-hyo’s Haenyeo Adventure, co-produced with BBC Studios, has been airing. The documentary was created to share the haenyeo culture, sensitively portraying the strong spirit and way of life of Jeju’s haenyeo. Viewers were deeply moved by actress Song Ji-hyo’s journey to understand the challenging lives of these women who have made a living from the vast sea with only a tewak, a flotation device. The Origin of the Term ‘Haenyeo’ ‘Haenyeo’ (海女), which means “sea women,” refers to women who dive in shallow waters to gather marine products. In the southern coastal regions of Korea, they were called murekkun, while on Jeju Island, they were known as jamnyeo (잠녀, 潛女) or jamsu (잠수, 潛嫂). The term ‘haenyeo’ emerged during the Japanese colonial period and became more common after the 1980s, though it is still not widely used on Jeju Island. In the 1960s, they were also called tongjaengi in Busan’s Yeongdo district, a term believed to have originated from their use of wooden barrels instead of a tewak. This use of wooden barrels can also be seen among Japanese ama (海女, 海士) divers and is thought to be an influence from Japanese fishing villages that existed in Yeongdo during the colonial era. Unique Female Divers Around the World While diving for marine products is a common practice globally, the act of diving for a living without special equipment is a tradition found almost exclusively in Korea and Japan. Similar activities exist on a smaller scale in Southeast Asia and Russia. Jeju Island, in particular, has gained global attention for having the highest concentration of female divers in the world. Although haenyeo are scattered across Korea’s coastal areas and islands, the majority are on Jeju. Historically, Jeju haenyeo didn’t just work in their home areas; they would travel to other regions and even foreign countries for several months at a time. After Korea’s ports opened in 1876, Japanese fishermen’s expansion led to the depletion of Jeju’s fishing grounds, threatening the haenyeo’s livelihoods. In response, they began to migrate north along the East Coast, traveling through Gyeongsangbuk-do and Gangwon-do up to Cheongjin. They also expanded their activities to the South and West Coasts, Ulleungdo, and Heuksando, and even to various parts of Japan, Vladivostok, Dalian in the Liaodong Peninsula, and Qingdao in Shandong Province. They would typically leave in the spring and return in the fall. Diving in regions outside of Jeju was fundamentally seasonal migrant work passed down by Jeju’s haenyeo. ‘Haenyeo’ in Historical Texts The haenyeo profession is one of the many that emerged naturally over time. Historical records mention their existence in various ancient texts, including Samguk Sagi (History of the Three Kingdoms). In 1105, during the reign of King Sukjong of Goryeo, there’s a record prohibiting “nude diving by haenyeo.” Later, during the Joseon era under King Injo, the governor of Jeju reportedly forbade “men and women from working together in the sea.” This suggests that haenam, or male divers, also existed back then. Male divers were known as pojak-in (鮑作人) or pojak-gan (鮑作干). From the Goryeo dynasty, Jeju was required to present abalone and seaweed as tribute to the royal court. Seaweed was primarily gathered by haenyeo, while abalone was the responsibility of the pojak-in. As the quota for abalone tribute increased, many men fled to the mainland. Consequently, a “Prohibition on Leaving the Island” was enacted to prevent Jeju residents from escaping, which lasted for 200 years starting in 1629. Jeju women were even forbidden from marrying men from the mainland, and the construction of fishing boats was also banned—all to ensure the tribute was properly paid. The ban was lifted around 1850, allowing Jeju residents to travel to the mainland. It was then that Jeju haenyeo began their seasonal migrations to places like Busan and Ulsan to earn a living. Haenyeo Equipment Haenyeo harvest various marine products like sea snails, abalones, octopus, sea cucumbers, sea squirts, seaweed, and gulfweed, and occasionally catch fish with a spear. Their essential tools include a tewak, a flotation device they hold to their chests while swimming, and a mang-siri, a net bag attached to the tewak for storing their catch. When they dive, the tewak and mang-siri float on the water’s surface. The gear they take with them underwater includes a bitchang, a long metal tool for prying off abalones; a jeonggehomi, a sickle for cutting seaweed; a galgori, a metal hook-like rake for digging out shellfish; and a sosar, a spear for catching fish. Haenyeo wear a mul-ot, or diving suit, and nun, or goggles. The diving suits have evolved from cotton to rubber. The goggles, originally a small, binocular-style pair called jokse-nun, were replaced by larger ones known as wang-nun starting in the 1950s. Haenyeo Culture Becoming a haenyeo wasn’t about a person being special from birth. It was about becoming strong and skilled through repeated diving and training. Historically, young girls in Jeju’s coastal villages learned to dive in shallow waters called aegi-badang. They learned by observing experienced haenyeo, listening to their stories, and mastering the skills through their own repeated practice. It was common for daughters of haenyeo and daughters-in-law of haenyeo mothers-in-law to also become haenyeo. Girls born on Jeju learned to swim and practice mujamakjil—a diving technique of repeatedly submerging and surfacing—starting at age seven or eight. By 12 or 13, they would practice diving deeper, and by 15 or 16, they would become full-fledged haenyeo. Their diving activities were most active around age 40, and they often continued diving until their 60s, or even into their 70s. Based on their skill and experience, Jeju’s haenyeo are divided into three

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세계 인류문화유산 해녀

얼마전 넷플릭스 드라마 <폭싹 속았수다>(When Life Gives You Tangerines)가 국내외에서 큰 인기를 끌었다. 이 드라마는 초반부터 해녀들이 등장해서 시선을 끌었다. 제주 해녀다. 제주도의 삶을 이야기하면서 빼놓을 수 없는 것이 해녀다. 이 드라마에는 해녀의 애환과 아픔이 담겨있다. 또한 최근에는 JTBC 특집 다큐멘터리 <딥 다이브 코리아: 송지효의 해녀 모험>이 방영됐다. JTBC와 BBC 스튜디오의 첫 번째 공동 제작 콘텐츠다. <딥 다이브 코리아>는 제주 해녀들이 가진 강인한 정신과 삶의 방식을 섬세하게 담아낸 작품으로 해녀 문화를 전하기 위해 기획됐다. 테왁 하나에 의지한 채 망망대해에서 삶을 일구어 낸 해녀들의 고단한 삶을 이해하는 배우 송지효의 모습은 시청자들의 깊은 공감을 이끌어냈다. 해녀의 어원 해녀(海女)는 얕은 바다에서 잠수하여 해산물을 채취하는 여자들을 뜻하는 말이다. 남해안에서는 ‘무레꾼’이라 하고, 제주도에서는 ‘잠녀·잠수(녀·수, 潛女·潛嫂)로 불리어 왔다 ‘해녀’라는 말은 일제강점기에 등장해 1980년대 이후 다수를 차지하게 됐지만 제주도에서는 잘 쓰지 않는다. 1960년대 부산 영도에서는 ‘통쟁이’라는 말로도 불리었다고 한다. 테왁 대신 나무통을 사용한데서 유래한 것으로 본다. 이처럼 나무통을 사용하는 것은 일본의 아마[海女, 海士]에게서 볼 수 있는 있는 것으로 과거 일제 강점기에 영도에 있었던 일본 이주 어촌의 영향이다. 세계적으로 특별한 여성잠수업자 바다 속에 잠수해 해산물을 채취하는 행위는 동서양을 막론하고 세계적으로 널리 볼 수 있는 일이지만, 생계를 위해 특별한 장비 없이 바다 속에 뛰어들어 물질을 하는 것은 우리나라와 일본 밖에 없다. 동남아시아, 러시아 등지에서도 비슷한 형태의 활동이 소소하게 남아 있다. 특히 제주도는 ‘여성 잠수업자’가 가장 밀집되어 있는 곳으로 세계적인 주목을 받고 있다. 우리나라의 해녀는 한반도 각 해안과 여러 섬에 흩어져 있지만, 그 대부분이 제주도에 몰려 있다. 과거 제주 해녀들은 자기 고장에서만 작업하는 것이 아니라, 다른 지방이나 외국으로 나가 몇 개월씩 출가 생활을 하기도 하였다. 1876년 개항으로 일본 어민의 진출과 함께 제주어장이 황폐화되면서 해녀들은 생존권을 위협받게 되었다. 이에 그들은 경상북도와 강원도를 거쳐 청진에 이르기까지 점점 동해안 일대를 누비며 북상하였고, 남해안과 서해안, 울릉도와 흑산도에 이르기까지 본토의 각 해안뿐만 아니라, 일본 각지와 블라디보스토크, 요동반도의 다롄, 산둥성의 칭다오에까지 진출하였다. 이들은 봄에 나가서 가을이면 돌아왔다. 제주도 이외 다른 지역에서의 물질은 기본적으로 계절에 따른 이주 노동자가 행하는 것으로, 제주도 밖에서 물질을 했던 제주 해녀가 전수하여 준 것이다. 역사적 문헌에 나타난 ‘해녀’ 해녀는 자연발생적으로 생겨난 직업 중의 하나다. 해녀의 존재는 옛 문헌의 여러 기록에서 나타난다. 『삼국사기』 고구려 본기에 해녀가 등장한다. 1105년 고려 숙종 때는 ‘해녀들의 나체 조업을 금’한다는 기록이 있다. 조선 인조 때는 제주목사가 ‘남녀가 어울려 바다에서 조업하는 것을 금’했다고 한다. 그 시절에는 해녀뿐만 아니라 해남(海男)도 존재했다는 것을 알 수 있다. 해남은 포작인(鮑作人), 포작간(鮑作干) 등으로 불렸다. 제주도는 고려 때부터 전복과 미역을 왕실에 공물로 받쳤는데 미역은 주로 해녀들이 땄고 전복은 포작인들이 담당하였다. 공물로 바쳐야 하는 전복의 할당량이 늘어나자 뭍으로 도망가는 사람이 많아졌다. 그 때문에 제주도 사람들이 뭍으로 도주하지 못하도록 「출륙금지령」을 내렸는데, 1629년부터 이후 200년간 계속되었다. 제주도 여성은 뭍으로 시집을 갈 수도 없었다. 제주도에서는 어선 건조마저 금지되었다. 이 모두가 공물을 제대로 받기 위함이었다. 「출륙금지령」이 풀린 것은 1850년 무렵으로 이때부터 제주도 사람들은 뭍으로 갈 수 있었다. 이 때부터 제주도 해녀들이 부산, 울산 등으로 일정 기간 돈벌이를 위한 출가(出嫁)를 시작하였다. 해녀들의 장비 해녀들은 소라·전복·문어·해삼·멍게·미역·톳·우뭇가사리 등을 채취하며 가끔 작살로 물고기를 잡는다. 물질에 필요한 도구는 해녀들이 부력을 이용하여 가슴에 안고 헤엄치는 ‘테왁’이 있고, 테왁 밑에는 잡은 해산물을 담는 자루 모양의 ‘망시리’(망사리, 망아리)가 달려 있다. 해녀들이 무자맥질을 할 때 이 테왁과 망시리는 물 위에 띄워둔다. 몸에 지니고 잠수하는 장비로는, 전복 등을 캐는 길쭉한 쇠붙이인 ‘빗창’, 해조류를 베는 낫인 ‘정게호미’, 조개 등을 캐는 쇠꼬챙이 갈퀴인 ‘갈고리’, 물고기를 쏘아 잡는 작살인 ‘소살’이 있다. 해녀는 ‘물옷’이라는 해녀복을 입고 ‘눈’이라고 하는 물안경을 낀다. 물옷은 면으로 된 잠수복에서 고무 잠수복으로 바뀌었다. 물안경은 ‘족세눈’이라는 작은 쌍안경을 사용했으나 1950년대부터 ‘왕눈’이라는 큰 물안경을 쓴다. 해녀의 문화 해녀는 특별한 누군가가 되는 것이 아니었다. 반복된 물질과 훈련을 통해서 강하고 능숙한 해녀로 거듭나는 것이다. 과거 제주도 해안 마을의 소녀들은 ‘애기바당’이라고 부르는 얕은 바다에서 물질을 배웠다. 노련한 해녀들을 관찰하고 다른 해녀들의 경험을 들으면서 물질을 배우고 반복된 자신의 경험을 통해서 익힌다. 대체로 어머니가 해녀이면 딸도 해녀, 시어머니가 해녀이면 며느리도 해녀가 되었다. 제주도에서 태어난 여자들은 7~8세가 되면 바다에서 헤엄치기와 물속에서 팔다리를 놀리며 떴다 잠겼다하는 무자맥질을 배운다. 12~13세가 되면 얕은 데서 깊은 데로 헤엄쳐 들어가는 연습을 한다. 15~16세가 되면 물질을 시작해 해녀가 되고, 17~18세가 되면 한 몫 잡이의 해녀로 활동하였다. 물질은 40세 전후에 가장 왕성하며, 대체로 60세 전후, 어떤 경우에는 70이 넘도록 물질을 하기도 한다. 물질의 기량 및 숙련도에 따라 제주 해녀는 상군(上軍), 중군(中軍), 하군(下軍)의 세 집단으로 구분된다. 상군 해녀는 오랜 기간 물질을 하여 기량이 뛰어나고 암초와 해산물에 대해서도 가장 잘 알고 있어 아래 해녀들에게 자신의 지혜를 나누며 해녀공동체를 이끈다. 제주 해녀들은 상군 해녀들로부터 물질에 필요한 지식뿐만 아니라 해녀 문화에 대한 지식과 공동체에 대한 책임감도 배운다. 세계적 인류무형문화유산 해녀들의 ‘물질’은 원초적인 어로 형태로 다른데서는 찾아볼 수 없는 우리나라 전통적인 어로(漁撈)법이다. 해녀는 한국의 전통적 해양 문화와 여성 어로 문화를 대표하는 산 증인이다. 해녀의 생업과 문화에는 자연과 인간의 공존 및 공유지의 지속적인 이용과 분배에 관한 여러 가지 지혜들을 발견할 수 있다. 또한, 물질 경험에서 축적된 생태환경에 대한 민속지식이 상당하고 동료 해녀에 대한 배려와 협업, 해녀들의 신앙과 의례 등 해녀만의 독특한 공동체적 생활문화를 이루고 있다. 해녀와 관련된 문화는 무형유산으로서 역사성, 예술성, 고유성 등의 가치가 탁월하므로 종목을 보존·전승하고자 2017년 5월 ‘해녀’를 국가무형문화재 제132호로 등록하였다. 이러한 해녀의 문화는 우리 나라에서 뿐만 아니라 세계적으로도 가치를 인정받았다. 2016년 ‘제주해녀문화’는 우리나라에서 19번째로 ‘인류무형문화유산’에 등재되었다. 영어 표기는 ‘Culture of Jeju Haenyeo(Women Divers)’다. 인류무형문화유산에 등재된 제주 해녀 문화는 산소공급 장치 없이 바다에서 해산물을 채취하는 ‘물질문화’와 공동체의 연대를 강화하며 해녀들의 안전과 풍어를 기원하는 ‘잠수굿’, 물질을 나가는 배 위에서 부르는 ‘해녀 노래’, 모녀 및 세대 간에 전승되는 ‘여성의 역할’ 등이다. 제주 해녀 문화가 높은 평가를 받은 것은 이런 문화가 지역의 독특한 정체성을 상징하고, 자연 친화적인 방법으로 지속 가능한 환경을 유지하며 관련 지식과 기술이 공동체를 통하여 전승된다는 점이었다. 해녀의 세계화 해녀의 고령화와 지구온난화, 어촌 자원의 고갈과 어려운 작업 환경으로 해녀의 수는 감소하고 있다. 그래서 제주 해녀 문화가 인류무형문화유산으로 등재되고 국내외에서 해녀 문화에 대한 가치를 인정받는 것은 의미가 있다. 특히 넷플릭스 드라마 <폭싹 속았수다> BBC와 JTBC <딥 다이브 코리아: 송지효의 해녀 모험>을 통해 세계적으로 더 많이 알려져서 더 반갑다. 앞으로도 우리나라의 해녀와 그 문화가 세계에 더 많이 알려지고 우리나라를 넘어 세계의 문화유산으로 남기를 바란다.

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Die Haenyeo von Jeju: Koreas einzigartige Taucherinnen und ihr kulturelles Erbe

Einführung: Wer sind die Haenyeo? Die Haenyeo (해녀), auch bekannt als „Frauen des Meeres“, sind traditionelle koreanische Taucherinnen, die ohne Atemgeräte im Meer tauchen, um Meeresfrüchte wie Abalone, Seeigel, Algen, Tintenfisch und Seegurken zu sammeln. Besonders berühmt sind die Haenyeo der Insel Jeju, einer vulkanischen Insel im Süden Koreas. Die Haenyeo-Kultur ist ein einzigartiges Symbol für weibliche Stärke, nachhaltige Fischerei und gemeinschaftliches Leben. Medieninteresse: Haenyeo in internationalen Produktionen In den letzten Jahren hat das weltweite Interesse an den Haenyeo zugenommen. Die beliebte Netflix-Serie When Life Gives You Tangerines (폭싹 속았수다) zeigt die bewegenden Geschichten von Jeju-Frauen, darunter auch Haenyeo, die mit harter Arbeit und Entschlossenheit ihr Leben meistern. Auch die Dokumentation Deep Dive Korea: Song Ji-hyos Haenyeo-Abenteuer (JTBC/BBC Studios) hat zur globalen Bekanntheit der Haenyeo beigetragen. Schauspielerin Song Ji-hyo taucht in die Welt der Haenyeo ein und lernt ihre Traditionen, Rituale und den täglichen Überlebenskampf im Meer kennen. Geschichte und Ursprung der Haenyeo Die Geschichte der Haenyeo reicht bis in die Antike zurück. Bereits im 12. Jahrhundert finden sich in historischen Dokumenten Hinweise auf weibliche Taucher. Im Gegensatz zu anderen Ländern, in denen traditionell Männer tauchen, ist es in Korea – insbesondere auf Jeju – eine weiblich dominierte Tätigkeit. Früher nannte man sie auch „잠녀“ (Jamnyeo) oder „무레꾼“ (Murekkun). Der Begriff „Haenyeo“ entstand erst in der japanischen Kolonialzeit. Die Haenyeo waren nicht auf Jeju beschränkt – viele reisten als saisonale Arbeitskräfte sogar nach Japan, Russland oder an die Küsten Chinas. Das Leben und die Arbeit der Haenyeo Die Haenyeo-Kultur basiert auf harter Arbeit, Ausdauer und einem tiefen Wissen über das Meer. Ihre Ausrüstung ist einfach: ein „Taewak“ (eine schwimmende Kugel), ein Netzbeutel „Mangseoni“ für die gesammelten Meeresfrüchte und Werkzeuge wie Messer, Haken und Speere. Schon junge Mädchen beginnen im Alter von 7 bis 8 Jahren mit dem Training – das sogenannte „Mujamaekjil“, das Atmen unter Wasser. Mit 15 bis 16 Jahren beginnen viele ihre Karriere als Haenyeo. Je nach Erfahrung werden sie in drei Gruppen eingeteilt: Sanggun (Oberklasse), Junggun (Mittelklasse), Hagun (Unterklasse). Spirituelle und gemeinschaftliche Aspekte Die Haenyeo sind nicht nur Arbeiterinnen, sondern auch Trägerinnen einer einzigartigen gemeinschaftlichen Kultur. Sie singen traditionelle Lieder auf dem Boot, praktizieren Rituale wie die „Jamsugut“ (ein Tauchritual für Sicherheit und reichen Fang) und unterstützen sich gegenseitig im Alltag. Diese enge Gemeinschaft vermittelt auch ökologische Kenntnisse: Haenyeo wissen genau, wann und wo man nachhaltig taucht, um das Ökosystem zu schützen. UNESCO-Welterbe und nationale Anerkennung 2016 wurde die „Kultur der Jeju-Haenyeo“ von der UNESCO als immaterielles Kulturerbe der Menschheit anerkannt. In Korea selbst ist die Haenyeo-Kultur seit 2017 als nationales immaterielles Kulturerbe Nr. 132 registriert. Die UNESCO lobte die Haenyeo-Kultur für ihre ökologische Nachhaltigkeit, ihre soziale Struktur und die generationenübergreifende Weitergabe von Wissen und Fähigkeiten – vor allem von Mutter zu Tochter. Herausforderungen und Zukunft der Haenyeo Heute steht die Haenyeo-Kultur vor großen Herausforderungen: Klimawandel, Überfischung und der demografische Wandel bedrohen die Zukunft der traditionellen Taucherinnen. Die Zahl der aktiven Haenyeo sinkt rapide. Gerade deshalb ist die internationale Anerkennung durch Medien, wie die Netflix-Serie oder die BBC-Dokumentation, so bedeutend. Sie helfen dabei, das Bewusstsein für den kulturellen und ökologischen Wert der Haenyeo zu stärken. Fazit: Warum Haenyeo wichtig sind Die Haenyeo sind ein Symbol für mutige Frauen, nachhaltige Nutzung von Ressourcen und kulturelle Vielfalt. Ihre Geschichten, Traditionen und ihr Wissen über das Meer sind ein unschätzbares Erbe – nicht nur für Korea, sondern für die ganze Welt.

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Jeju Haenyeo: Lebendes Kulturerbe Koreas

Meta-Beschreibung: Entdecken Sie die Haenyeo, die Meerfrauen von Jeju. Erfahren Sie mehr über ihre einzigartige Tauchkultur, ihre Geschichte und warum sie als immaterielles Kulturerbe der UNESCO anerkannt wurden. Jeju Haenyeo: Ein lebendiges Kulturerbe Koreas Die Haenyeo (해녀), die „Meerfrauen“ von Jeju, ziehen weltweit die Aufmerksamkeit auf sich. Jüngste Produktionen wie die Netflix-Serie „When Life Gives You Tangerines“ und die Dokumentation „Deep Dive Korea“ mit Song Ji-hyo haben diese tapferen Frauen ins Rampenlicht gerückt. Sie sind ein wesentlicher Teil des Lebens auf der Insel Jeju und repräsentieren die Widerstandsfähigkeit und das Leid einer Gemeinschaft, die seit Jahrhunderten vom Meer lebt. Was sind Haenyeo? Eine Haenyeo ist eine Taucherin, die ohne Sauerstoffgerät in flachen Gewässern Meeresfrüchte sammelt. Diese einzigartige Form der Fischerei existiert weltweit nur noch in Korea und Japan. Die größte Konzentration dieser weiblichen Taucher findet man auf der Insel Jeju. Historisch wurden die Haenyeo in Südkorea auch als “Murekkun” oder auf Jeju als “Jamnyeo” (잠녀) bezeichnet. Der Begriff “Haenyeo” wurde erst während der japanischen Kolonialzeit populär. In der Vergangenheit reisten Haenyeo aus Jeju sogar für mehrere Monate aufs Festland oder ins Ausland, um dort zu arbeiten, um ihren Lebensunterhalt zu sichern. Dies war eine direkte Folge der Zerstörung ihrer Fischgründe durch japanische Fischer Ende des 19. Jahrhunderts. Sie arbeiteten nicht nur an der koreanischen Küste, sondern auch in Japan, Wladiwostok und in chinesischen Städten wie Dalian und Qingdao. Geschichte und Entwicklung der Haenyeo-Kultur Aufzeichnungen über weibliche Taucherinnen finden sich bereits im alten koreanischen Text “Samguk Sagi” (Geschichte der Drei Königreiche). In der Joseon-Zeit gab es nicht nur Haenyeo, sondern auch männliche Taucher, die als Pojak-in (鮑作人) bekannt waren. Diese Männer waren spezialisiert auf das Sammeln von Abalone, das als Tribut an den königlichen Hof geliefert wurde. Aufgrund des erhöhten Bedarfs an Abalone wurde den Bewohnern Jejus im 17. Jahrhundert die Ausreise von der Insel untersagt, ein Erlass, der als „Ausreiseverbot“ bekannt ist und über 200 Jahre andauerte. Erst um 1850 wurde das Verbot aufgehoben, was den Haenyeo ermöglichte, als Saisonarbeiterinnen auf das Festland zu gehen. Werkzeuge und Ausbildung einer Haenyeo Haenyeo verwenden für ihre Arbeit eine Vielzahl von Werkzeugen. Dazu gehören die Teuwak, eine Kürbisboje, die ihnen Auftrieb gibt, und ein Mangari, ein Netzbeutel, in dem die gesammelten Meeresfrüchte aufbewahrt werden. Sie tauchen mit Werkzeugen wie dem Bitchang (ein Eisenwerkzeug zum Aufhebeln von Abalone) und dem Jeonggehomi (eine Sichel zum Schneiden von Algen). Eine Haenyeo wird nicht geboren, sondern durch jahrelange Praxis und Ausbildung geformt. Mädchen auf Jeju beginnen bereits im Alter von 7 bis 8 Jahren in den flachen Gewässern zu tauchen. Sie lernen von älteren, erfahrenen Haenyeo und entwickeln ihre Fähigkeiten. Je nach Können werden sie in drei Ränge eingeteilt: Sang-gun (상군, obere Klasse), Jung-gun (중군, mittlere Klasse) und Ha-gun (하군, untere Klasse). Die Sang-gun Haenyeo spielen eine zentrale Rolle, indem sie ihr Wissen und ihre Führung an die Gemeinschaft weitergeben. Anerkennung als Weltkulturerbe Die einzigartige Haenyeo-Kultur, die im Einklang mit der Natur steht, wurde weltweit anerkannt. Im Jahr 2017 wurde die Haenyeo in Südkorea als Nationales Immaterielles Kulturgut Nr. 132 registriert. Bereits 2016 wurde die „Kultur der Jeju Haenyeo“ als 19. immaterielles Kulturerbe Südkoreas in die Liste der UNESCO aufgenommen. Die UNESCO-Anerkennung würdigte nicht nur die Tauchkultur an sich, sondern auch die “Jamsugut” (ein Ritual zur Sicherheit der Haenyeo), die “Haenyeo-Lieder” sowie die Weitergabe von Wissen und die starke Gemeinschaft. Herausforderungen und Zukunft Trotz dieser Anerkennung stehen die Haenyeo vor großen Herausforderungen: Die Überalterung der Taucherinnen, der Klimawandel und der Rückgang der Meeresressourcen bedrohen diese Tradition. Umso wichtiger ist es, dass die Haenyeo-Kultur durch internationale Anerkennung und Medienproduktionen wie die von Netflix und JTBC weiter gefördert und geschützt wird. Es ist unser gemeinsames Ziel, sicherzustellen, dass die Geschichten und die Traditionen der Haenyeo nicht nur in Korea, sondern weltweit als ein kostbares kulturelles Erbe erhalten bleiben.

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À la découverte des Haenyeo de Jeju : un patrimoine culturel unique de la Corée

Qui sont les Haenyeo ? Les Haenyeo (해녀), littéralement “femmes de la mer”, sont des plongeuses traditionnelles coréennes, principalement originaires de l’île de Jeju, qui récoltent à la main fruits de mer et algues sans équipement de plongée autonome. Cette tradition unique de plongée libre féminine est pratiquée depuis des siècles et constitue un pilier fondamental de la culture maritime coréenne. Haenyeo et culture populaire : Netflix et JTBC à l’honneur La série coréenne « When Life Gives You Tangerines » (en coréen : 폭싹 속았수다), diffusée sur Netflix, a récemment suscité un vif intérêt en Corée et à l’international. Elle met en lumière la vie quotidienne et les défis des Haenyeo de Jeju. Dans la même lignée, le documentaire « Deep Dive Korea : l’aventure Haenyeo de Song Ji-hyo » coproduit par JTBC et BBC Studios, explore avec délicatesse la résilience, la solidarité et la culture des femmes plongeuses coréennes. L’actrice Song Ji-hyo y découvre de manière authentique la dure réalité de ces travailleuses de la mer. Origines et histoire des Haenyeo Bien que le mot “Haenyeo” soit devenu courant pendant l’occupation japonaise, cette activité existait déjà sous d’autres noms comme « jamnyeo » ou « jamsu » à Jeju. Des documents historiques, tels que le Samguk Sagi (Chroniques des Trois Royaumes), mentionnent déjà ces femmes plongeuses durant la période de Goguryeo. Durant la dynastie Joseon, les femmes de Jeju étaient soumises à des règles strictes, notamment l’interdiction de quitter l’île (출륙금지령) pour garantir l’approvisionnement en produits marins comme les ormeaux et algues, offerts en tant que tributs à la cour royale. Une technique de pêche durable et ancestrale Les Haenyeo plongent en apnée, sans bouteilles d’oxygène, équipées d’un tewak (bouée en bois flottant), d’un mangsiri (sac à filet pour récolter), et d’outils comme le bitchang (grattoir), le jeongge homi (faucille), ou encore le sosal (harpon). Autrefois vêtues de vêtements en coton, elles utilisent aujourd’hui des combinaisons en néoprène et des masques appelés “wangnun”. Leur entraînement commence dès l’enfance. Les jeunes filles de Jeju apprennent dès l’âge de 7 ou 8 ans à nager dans les eaux peu profondes, appelées « aegi-badang », avant de devenir Haenyeo vers 15-16 ans. Elles sont ensuite classées selon leur niveau : Haenyeo supérieure (sanggun), intermédiaire (junggun) et débutante (hagun). La culture des Haenyeo : un trésor immatériel La culture des Haenyeo va bien au-delà de la plongée. Elle intègre des rituels comme les prières de plongée (잠수굿), des chants traditionnels, et une forte solidarité communautaire féminine. Elle illustre un mode de vie durable, en harmonie avec la nature et la mer. En 2017, la Corée du Sud a inscrit les Haenyeo au patrimoine culturel immatériel national (n°132). En 2016, l’UNESCO a classé la culture des Haenyeo de Jeju au patrimoine culturel immatériel de l’humanité, soulignant sa valeur exceptionnelle en matière d’identité régionale, de transmission intergénérationnelle et de durabilité écologique. Menaces et espoirs pour l’avenir Aujourd’hui, le nombre de Haenyeo diminue à cause du vieillissement de la population, du réchauffement climatique, de la surexploitation des ressources marines et des conditions de travail difficiles. Pourtant, grâce à des œuvres audiovisuelles comme Netflix et BBC x JTBC, le monde découvre peu à peu cette culture exceptionnelle. La reconnaissance internationale de cette tradition séculaire contribue à sa préservation. Il est essentiel que la culture des Haenyeo, symbole de la résilience féminine coréenne et d’une pêche respectueuse de la nature, continue d’être célébrée et transmise.

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